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Above all, the exhibition shows how in the months leading up to the Coronation London was full of people who were involved in the event one way or another: the military bands rehearsing in the parks where the armed services were camped; the people who were building the barricades to control the crowds (which were then painted in the lilac, green and scarlet of the Coronation colour scheme); and the milliners working to supply bows and streamers for the horses (grooms also worked at getting the horses accustomed to large flags and other potential scares they might have to encounter on the procession). Westminster Abbey had extra seats, staging and an annexe built to accommodate the 8,251 guests – a job that took six months (on the day each guest was allotted 18陆 in each: a tight fit when considering the velvet robes, ermine, swords and epaulettes worn by many); the Queen’s Coronation Robe (worn for the procession out of the Abbey) was embroidered by 12 embroideresses using 18 different types of gold thread over 3,500 hours; caterers packed lunch hampers (many shops stayed open the night before so clients could collect them). ‘It’s breathtaking the amount of work that went into it all,’ de Guitaut says. ‘It really was an incredible event and understanding the complexity of the whole thing has been so exciting. You can’t imagine there could ever be anything like it again.’ |